End Is Music

Robert Jenson has been praised by Stanley Hauerwas, David Bentley Hart, Wolfhart Pannenberg, and others as one of the most creative and important contemporary theologians. But his work is daunting for many, both because of its conceptual demands and because of Jenson’s unusual prose style. This book is an attempt to give Jenson the kind of hearing that puts his creativity and significance on display, and allows newcomers to and old friends of his theology the opportunity to hear it afresh.