Worldview Guide For Much ADO About Nothing

“If a theatrical performance is primarily seen and heard, the main action in Much Ado About Nothing is principally overheard. The act of noting defines the play. While this dependence on noting seems rather harmless if the task is tricking Beatrice and Benedick to fall in love, Claudio’s mistaken noting threatens to upend the comedy and undo all of the matches. Can anything good come out of this chaos over ‘nothing’?”–